Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
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In den WarenkorbZustand: New. pp. 260.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. An introductory survey of the most enduring and popular genre of instrumental music, perfect for students, teachers and performers. Series: Cambridge Introductions to Music. Num Pages: 278 pages, 12 tables 45 music examples. BIC Classification: AVC; AVGC. Category: (U) Tertiary Education (US: College). Dimension: 245 x 175 x 14. Weight in Grams: 552. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Verlag: Cambridge Univ Pr, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 43,11
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 278 pages. 9.75x7.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521756316 ISBN 13: 9780521756310
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What is a sonata Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.