Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: Ancient World Books, Toronto, ON, Kanada
Softcover. Zustand: Very Good. Light edgewear. Creasing to corner of 1 page.; 8vo 8" - 9" tall; 188 pages.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 27,49
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 33,77
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In English.
EUR 44,44
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 151 pages. 9.00x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. Translator(s): Snodgrass, Anthony; Kunzl-Snodgrass, Anne-Marie. Num Pages: 188 pages, 52 b/w illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 227 x 151 x 11. Weight in Grams: 282. . 2004. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2007
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: Librakons Rare Books and Collectibles, Istanbul, Türkei
Softcover. Zustand: Fine. 151pp., 23.0x17.0cm., in English.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
paperback. Zustand: Sehr gut. 188 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Ein gutes und sauberes Exemplar. - Tonio Hölscher develops a new theoretical concept for understanding the Roman art of images by establishing a connection between artistic forms and content and expressions of ideology--such as the glorification of state and ruler, war and triumph. A large role is played here by the reception of earlier images from Greek art. Roman art therefore appears to operate as a semantic system which, from an interdisciplinary perspective, can be compared with the forms of Roman literature as well as the language of images of other cultures. ISBN 9780521665698 Sprache: Englisch Gewicht in Gramm: 273.
Sprache: Englisch
Verlag: Cambridge University Press, 2004
ISBN 10: 0521665698 ISBN 13: 9780521665698
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, first published in 2004, develops a theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state.