9780521665698 - the language of images in roman art von hölscher, tonio (9 Ergebnisse)
Sprache: Englisch
Verlag: Cambridge University Press, United Kingdom, Cambridge, 2004
- Softcover
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Paperback. Zustand: Very Good. This book, first published in 2004, develops a theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The history of Roman art traditionally followed the model…of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
THE LANGUAGE OF IMAGES IN ROMAN ART
HÃ lscher, Tonio; Anthony Snodgrass & Annemarie Kunzl-Snodgrass (Trans. ) , Jas Elsner (Foreword by)
- Softcover
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Softcover. Zustand: Very Good. Light edgewear. Creasing to corner of 1 page.; 8vo 8" - 9" tall; 188 pages.
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Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
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Zustand: New. In English.
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Paperback. Zustand: Brand New. 151 pages. 9.00x6.00x0.50 inches. In Stock.
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Zustand: New. This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images. Translator(s): Snodgrass, Anthony; Kunzl-Snodgrass, Anne-Marie. Num Pages: 188 pages, 52 b/w illus. BIC Classification: 1QDAR; ACG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: Colle…ge). Dimension: 227 x 151 x 11. Weight in Grams: 282. . 2004. Illustrated. paperback. . . . . Books ship from the US and Ireland.
- Softcover
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Softcover. Zustand: Fine. 151pp., 23.0x17.0cm., in English.
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paperback. Zustand: Sehr gut. 188 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Ein gutes…und sauberes Exemplar. - Tonio Hölscher develops a new theoretical concept for understanding the Roman art of images by establishing a connection between artistic forms and content and expressions of ideology--such as the glorification of state and ruler, war and triumph. A large role is played here by the reception of earlier images from Greek art. Roman art therefore appears to operate as a semantic system which, from an interdisciplinary perspective, can be compared with the forms of Roman literature as well as the language of images of other cultures. ISBN 9780521665698 Sprache: Englisch Gewicht in Gramm: 273.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, first published in 2004, develops a theory for the understanding of Roman pictorial art. By treating Roman art as a semantic system it establishes a connection between artistic forms and the ideological messages contained within. The histo…ry of Roman art traditionally followed the model of a sequence of stylistic phases affecting the works of their era in the manner of a uniform Zeitgeist. By contrast, the author shows different stylistic forms being used for different themes and messages. The reception of Greek models, a key phenomenon of Roman art, thus appear in a new light. The formulations of specific messages are established from Greek art types of different eras serving to express Roman ideological values: classical forms for the grandeur of the state, Hellenistic forms for the struggling effort of warfare. In this way a conceptual and comprehensible pictorial language arose, uniting the multicultural population of the Roman state.
