Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521652650 ISBN 13: 9780521652650
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
EUR 32,69
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Like New. Reprint. Bright and clean, firm and square, just a few very minor rubs and bumps. Hence a non-text page is stamped 'damaged'. Despite such this book is actually in nearly new condition. Thus it looks and feels unread with contents that are crisp, fresh and tight. Now offered for sale at a special bargain price.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521652650 ISBN 13: 9780521652650
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 115,15
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521652650 ISBN 13: 9780521652650
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 163,16
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This work, first published in 2000, focuses on Sebastiano Resta to illuminates a crucial chapter in the history of collecting. Num Pages: 306 pages, 58 b/w illus. BIC Classification: ACQ; WTHM. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 700. . 2000. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521652650 ISBN 13: 9780521652650
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 159,62
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 290 pages. 9.50x6.50x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521652650 ISBN 13: 9780521652650
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - First published in 2000, this is an examination of the collection of art works through an anthropological study of modes of exchange and the social roles of material culture. Focusing on the figure of Sebastiano Resta, Genevieve Warwick brings to light a shadowy, yet crucial chapter in the history of collecting, that of the great migration of art objects out of Italy to northern Europe in the early eighteenth century. Her study pins the history of collecting to broader changes in European economic history and analyzes the epistemological frameworks for viewing that accompanied this transfer of artistic wealth. Warwick also demonstrates how early modern art collecting was shaped by the social mores of elite 'arts of love'.