Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521640776 ISBN 13: 9780521640770
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 129,00
Anzahl: 1 verfügbar
In den WarenkorbHardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521640776 ISBN 13: 9780521640770
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 139,42
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521640776 ISBN 13: 9780521640770
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 197,97
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This book explores the 'picturesque' in the music of Bach, Haydn, and Beethoven. Series: New Perspectives in Music History and Criticism. Num Pages: 272 pages, 24 b/w illus. 55 music examples. BIC Classification: AVGC4. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 19. Weight in Grams: 495. . 2001. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 195,19
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. illustrated edition. 263 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2001
ISBN 10: 0521640776 ISBN 13: 9780521640770
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - A crucial category across all the arts in the late eighteenth century, the picturesque has lost its currency in modern musical criticism, in spite of its rich potential to shed new light on the fantastical elements of instrumental music in general and the genre of the free fantasia in particular. Just as English garden architecture, in which the picturesque found its origins, was changing the landscape of continental Europe, the fantastical elements of irregularity, temporal displacement, ambiguity, interruption, and self-referentiality in the music of Bach, Haydn and Beethoven were both lauded and criticized in terms borrowed from the discourse of the picturesque. This study reaffirms the centrality of the free fantasia and fantastical gesture in late eighteenth- and early nineteenth-century musical culture through an interdisciplinary approach that combines the visual, the literary and the musical.