9780521632096 - albee: who's afraid of virginia woolf? (plays in production) von bottoms, stephen j. (4 Ergebnisse)

- Hardcover
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes KönigreichPrior Books Ltd
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EUR 17,46
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Hardcover. Zustand: Like New. Reprint. A bright, clean hardback, firm and square with strong joints, just a few very minor rubs. Hence a non-text page is stamped 'damaged'. Despite such this book is actually nearly new condition. Thus it looks and feels unread with contents that are crisp, fresh and tight. Now offered for sale a…t a special bargain price.

- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 106,78
EUR 14,00 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 141,28
EUR 9,00 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. A full study of this major contemporary play, including an interview with Edward Albee. Series: Plays in Production. Num Pages: 220 pages, 11 b/w illus. BIC Classification: 2ABM; AN; DSBH; DSG. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 16. Weight in Grams:… 405. . 2000. Illustrated. hardcover. . . . . Books ship from the US and Ireland.

- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 133,56
EUR 62,24 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is a detailed study of one of the most important plays in contemporary theatre, Who's Afraid of Virginia Woolf , by Edward Albee. In this fascinating look at the modern stage, Stephen Bottoms draws on original archival material and sources including an… exclusive interview with Edward Albee. The Introduction considers the text of the play itself; part one provides a survey of the major productions from 1962 to 1999, with special attention paid to the premiere and the 1966 film version. Part two examines shifting critical responses to the play, demonstrating how changing times and attitudes have altered audience perception of performances. The third and final part offers a detailed examination of five different performances, comparing and contrasting directorial, design and acting approaches to demonstrate how our understanding of the play alters considerably according to its interpretation on stage.