Sprache: Englisch
Verlag: Cambridge University Press, 1998
ISBN 10: 0521622921 ISBN 13: 9780521622929
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 7,15
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780521622929.
Sprache: Englisch
Verlag: Cambridge University Press, 1998
ISBN 10: 0521622921 ISBN 13: 9780521622929
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 116,83
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1998
ISBN 10: 0521622921 ISBN 13: 9780521622929
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 221,75
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A study of the plays of Garcia Lorca, the greatest Spanish dramatist of the twentieth century. Series Editor(s): Pupo-Walker, Enrique. Series: Cambridge Studies in Latin American & Iberian Literature. Num Pages: 200 pages, 11 b/w illus. BIC Classification: 1KL; 2ADS; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 470. . 1998. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1998
ISBN 10: 0521622921 ISBN 13: 9780521622929
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Theatre of García Lorca offers radical new readings of his major plays, drawing on cultural studies, women's and gay studies, psychoanalysis, and previously unexamined archival material. It provides fascinating historical accounts of productions in different times and places, from New York in the 1930s to Madrid in the 1980s. It also juxtaposes Lorca with major figures such as Gregorio Marañón, Langston Hughes, André Gide, and Lluis Pasqual, enabling us to see his theatre in a new light. In addition, the book presents a new psychoanalytic reading of the plays, which returns to Freud's early clinical texts. Examining the complex and productive intersection of history and fantasy that is characteristic both of García Lorca's theatre and of the cult to which it has given rise, this study offers a thorough reassessment of Lorca's work.