Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521622212 ISBN 13: 9780521622219
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521622212 ISBN 13: 9780521622219
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 105,64
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521622212 ISBN 13: 9780521622219
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 141,61
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A comprehensive and highly readable guide to Stravinsky's most revolutionary work. Series Editor(s): Rushton, Julian. Series: Cambridge Music Handbooks. Num Pages: 184 pages, facsimiles, music. BIC Classification: AVH. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 14. Weight in Grams: 380. . 2000. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2000
ISBN 10: 0521622212 ISBN 13: 9780521622219
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Rite of Spring is Stravinsky's most revolutionary work. This important new book provides a comprehensive guide to the work, telling in vivid detail the story of its inception and composition, of the stormy rehearsals which led to the scandalous premiere on 29 May 1913, and of Stravinsky's later betrayal of the ballet's first choreographer, Vaslav Nijinsky. At the same time, in a radical reassessment of the work's musical values, Peter Hill probes beneath the surface of the music to reveal an architectural conception of unsuspected guile and subtlety. A feature of the book is a detailed discussion of the work in performance, drawing on recordings by the Rite's greatest interpreters, Stravinsky himself included. Finally, the significance of the Rite is thoroughly reviewed in a hard-hitting conclusion which poses a radical challenge to the orthodox view of the work.