9780521621939 - the historical performance of music: an introduction (cambridge handbooks to the historical performance of music) von lawson, colin; stowell, robin; colin, lawson (4 Ergebnisse)
- Hardcover
Anbieter: WeBuyBooks, Rossendale, Vereinigtes KönigreichWeBuyBooks
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EUR 29,96
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Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Foxing to the pages.
- Hardcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 120,38
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Zustand: New. In.
- Hardcover
Anbieter: Kennys Bookstore, Olney, USAKennys Bookstore
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EUR 171,34
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Zustand: New. A 1999 overview of historical performance, surveying issues and suggesting future developments. Series: Cambridge Handbooks to the Historical Performance of Music. Num Pages: 236 pages, 5 b/w illus. 24 music examples. BIC Classification: AVGC; AVS. Category: (G) General (US: Trade); (P) Professional & Vocational; (…U) Tertiary Education (US: College). Dimension: 228 x 152 x 17. Weight in Grams: 520. . 1999. hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 146,04
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Offering students and performers a concise overview of historical performance, this 1999 book takes into account the many significant developments in the discipline. It addresses practical matters rather than philosophical issues and guides readers towards…further investigation and interpretation of the evidence provided, not only in the various early instrumental and vocal treatises, but also in examples from the mainstream repertory. Designed as a parent volume for the series Cambridge Handbooks to the Historical Performance of Music, this book provides an historical basis for artistic decision-making which has as its goal the re-creation of performances as close as possible to the composer's original conception. It relates many of the issues discussed to major works by Bach, Mozart, Berlioz and Brahms, composed c.1700-c.1900, the core period which forms the principal (though not exclusive) focus for the whole series.
