Sprache: Englisch
Verlag: Cambridge University Press, 2008
ISBN 10: 0521619874 ISBN 13: 9780521619875
Anbieter: BoundlessBookstore, Wallingford, Vereinigtes Königreich
EUR 35,12
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: As New. Like new and unread. May have minor shelf wear/marks.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521619874 ISBN 13: 9780521619875
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 61,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521619874 ISBN 13: 9780521619875
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A new analysis of Surrealist collage in France, leading to a radical reassessment of Surrealism. Series Editor(s): Sheringham, Michael. Series: Cambridge Studies in French. Num Pages: 268 pages, 25 b/w illus. BIC Classification: AFJD. Category: (P) Professional & Vocational. Dimension: 187 x 247 x 14. Weight in Grams: 496. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521619874 ISBN 13: 9780521619875
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and Andre Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Peret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative cliches, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs.