Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521570093 ISBN 13: 9780521570091
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Publisher's hardback in better than very good condition: firm and square, strong joints. Complete with original dustjacket, not showing any tears or chips. Contents tight and clean; no pen-marks. Not from a library so no such stamps or labels. Thus a tidy book in very presentable condition.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521570093 ISBN 13: 9780521570091
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Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521570093 ISBN 13: 9780521570091
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In den WarenkorbHardcover. Zustand: Brand New. 233 pages. 9.50x6.50x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521570093 ISBN 13: 9780521570091
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In den WarenkorbZustand: New. An analysis of the way in which gendered language was used in eighteenth-century literary criticism. Num Pages: 244 pages, bibliography. BIC Classification: DSA; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 17. Weight in Grams: 475. . 1997. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521570093 ISBN 13: 9780521570091
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - During the eighteenth century, British critics applied terms of gender to literature according to the belief that masculine values represented the best literature and feminine terms signified less important works or authors. Laura Runge contends however that the meaning of gendered terms like 'manly' or 'effeminate' changes over time, and that the language of eighteenth-century criticism cannot be fully understood without careful analysis of the gendered language of the era. She examines conventions in various fields of critical language - Dryden's prose, the early novel, criticism by women, and the developing aesthetic - to show how gendered epistemology shaped critical 'truths'. Her exploration of critical commonplaces, such as regarding the heroic and the sublime as masculine modes and the novel as a feminine genre, addresses issues central to eighteenth-century studies.