Isbn: 9780521568425 - impersonations: the performance of gender in shakespeare's england (11 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780521568425. …

Softcover. Zustand: Good. An exploration of gender in the Renaissance, from theatrical cross-dressing to cultural subversion. Why was England the only country in Europe to maintain an all-male public theatre in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. Why were boys used to play female roles in drama, and how did such cross-dressing impact on the plays of Shakespeare and his contemporaries? What was the place of women in the Renaissance theatre, either on the stage or in the audience? And what did society make of those women who significantly and successfully violated accepted gender boundaries? At once provocative and witty, lucid and stylish, Impersonations will reshape our understanding of the Renaissance theatre, and make us rethink our own inadequate categories of gender, power and sexuality.; Paperback met fris en schoon binnenwerk, recht boekblok, omslag met slechts een enkel gebruiksspoortje.…

Softcover. Zustand: Very Good. No Dust Jacket. Ink inside front cover.; 8vo; 179 pages.

Zustand: New. In.

Zustand: Brand New. Brand New.

Zustand: New. A provocative exploration of gender in the Renaissance, from theatrical cross-dressing to cultural subversion. Num Pages: 196 pages, 19 b/w illus. BIC Classification: DSGS; JHM. Category: (P) Professional & Vocational. Dimension: 142 x 216 x 19. Weight in Grams: 268. . 1996. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Why was England the only country in Europe to maintain an all-male public theatre in the Renaissance Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. Why were boys used to play female roles in drama, and how did such cross-dressing impact on the plays of Shakespeare and his contemporaries What was the place of women in the Renaissance theatre, either on the stage or in the audience And what did society make of those women who significantly and successfully violated accepted gender boundaries At once provocative and witty, lucid and stylish, Impersonations will reshape our understanding of the Renaissance theatre, and make us rethink our own inadequate categories of gender, power and sexuality.…