Isbn: 9780521567220 - introduction post-colonial theatre (cambridge studies in modern theatre) (9 Ergebnisse)

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Paperback. Zustand: Good. Paperback. Previous owner's name inside front cover. PAGES CLEAN AND UNMARKED, SLIGHTLY TANNED. Covers show very minor shelf wear. AN EXCELLENT READING OR REFERENCE COPY.; 100% Satisfaction Guaranteed! Ships same or next business day.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521567220. …

Zustand: New. In English.

Zustand: New. This book provides an introduction to post-colonial theatre by concentrating on the work of major dramatists from the third world and subordinated cultures in the first world. Series Editor(s): Bradby, David. Series: Cambridge Studies in Modern Theatre. Num Pages: 204 pages, black & white illustrations. BIC Classification: AN; DSG. Category: (P) Professional & Vocational. Dimension: 230 x 151 x 19. Weight in Grams: 312. . 2008. paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.…