Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521564239 ISBN 13: 9780521564236
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 90,78
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521564239 ISBN 13: 9780521564236
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 101,07
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521564239 ISBN 13: 9780521564236
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 141,86
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This volume provides a fresh examination of Rear Window from a variety of perspectives. Editor(s): Belton, John. Series Editor(s): Andrew, Horton. Series: Cambridge Film Handbooks. Num Pages: 191 pages, 24 b/w illus. BIC Classification: APF. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 17. Weight in Grams: 401. . 2000. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 139,66
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 177 pages. 9.25x9.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1999
ISBN 10: 0521564239 ISBN 13: 9780521564236
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Alfred Hitchcock's Rear Window is one of the icons of American filmmaking. A perfect example of Hollywood cinema at its best, it is an engaging piece of entertainment as well as a fascinating meditation on the nature of the film itself. A suspense thriller about a chair-bound observer who suspects his neighbour of murdering his wife, the narrative becomes the vehicle for Hitchcock's exploration of the basic ingredients of cinema, from voyeurism and dreamlike fantasy to the process of narration itself. This volume provides a fresh analysis of Rear Window, which is examined from a variety of perspectives in a series of essays published here for the first time. Providing an account of the actual production of the film, as well as feminist and cultural readings of it, it also demonstrates the influence of Rear Window on a wide range of filmmakers, including Antonioni, De Palma, and Coppola.