Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521554810 ISBN 13: 9780521554817
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 12,38
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Volume 20. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0521554810.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521554810 ISBN 13: 9780521554817
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 120,03
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521554810 ISBN 13: 9780521554817
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 169,12
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This book offers an imaginative way of understanding the relationship between syntax and metre in Old English poetry. Series: Cambridge Studies in Anglo-Saxon England. Num Pages: 220 pages, black & white illustrations. BIC Classification: 2AB; DSBB; DSC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 435. . 1997. hardcover. . . . . Books ship from the US and Ireland.
EUR 172,55
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 219 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1997
ISBN 10: 0521554810 ISBN 13: 9780521554817
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book offers an imaginative way of understanding the relationship between syntax and metre in Old English verse. It challenges the view that Old English poetry is composed in loose syntax to compensate for the strict requirements of prosody, such as metre and alliteration. It proposes instead that Old English poetry has incorporated prosody into its system. This 'prosodical' syntax is intended to replace the famous syntactic laws of Hans Kuhn through its greater accuracy and wider range of application. The author formulates three concise rules which apply not only to Beowulf and other classic Anglo-Saxon poems but to the entire Old English poetic corpus. Prosodical syntax bears witness to the oral origin of Old English poetry and sheds light on some aspects of performance: it enables the poet to produce an infinite variety of verse while keeping its grammar clear.