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In den WarenkorbPaperback. Zustand: Very Good. A Companion to Henslowe's Diary This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Sprache: Englisch
Verlag: Cambridge University Press 05/01/2004, 2004
ISBN 10: 0521543460 ISBN 13: 9780521543460
Anbieter: Bahamut Media, Reading, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521543460 ISBN 13: 9780521543460
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 53,87
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521543460 ISBN 13: 9780521543460
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New.
Sprache: Englisch
Verlag: Cambridge University Press, 2005
ISBN 10: 0521543460 ISBN 13: 9780521543460
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Henslowe's 'diary' is a unique source of information about the day-to-day running of the Elizabethan repertory theatre. Philip Henslowe, a theatrical entrepreneur, kept records of his financial dealings with London companies and actors from 1592-1604. The diary itself is difficult to decipher. Neil Carson's analysis is based on a much more thorough correlation of Henslowe's entries than has been attempted before, breaking down into clear tabular form the main items of income and expenditure and drawing conclusions about the management procedures of the companies, the professional relationships of actors and playwrights and the ways in which plays were written, rehearsed and programmed. Previous speculation has dismissed Henslowe himself as ignorant, disorderly and grasping. Carson shows him to have been a benign and efficient businessman whose control over the actors' professional activities was much less extensive than has often been supposed.