Isbn: 9780521515528 - shakespeare in asia: contemporary performance (7 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780521515528. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. A firm and square hardback with strong joints, complete with original dustjacket, just showing a few very minor rubs and light shelf-wear. Hence a non-text page has a small 'damaged' stamp. Despite such this book is actually in better than very good condition. Thus the contents are crisp, fresh and tight; no pen-marks. Now offered for sale at a very sensible price.…

Text block sound and unmarked. Zustand: Fine. Zustand des Schutzumschlags: Fine. Scholarly pencil annotations to introduction only. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Text block sound and unmarked. Size: xiv, 289pp., 20 illustrations.…

Zustand: New. In English.

Zustand: New. Contributors from a wide variety of backgrounds debate how and why Shakespeare has been used and reinvented in contemporary Asia. Editor(s): Kennedy, Dennis; Yong, Li Lan. Num Pages: 304 pages, 20 b/w illus. BIC Classification: 1F; 2AB; DSGS. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 21. Weight in Grams: 62. . 2010. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 1st edition. 312 pages. 9.25x6.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Addressing both theoretical and practical questions surrounding Shakespeare in contemporary Asia, this book asks why Shakespeare has been of use in these vast regions of the world that have no need to call on him. By investigating some of the ways Shakespeare has been reinvented and deployed, the study notes the differences between standard western approaches and those that can be seen in Japan, China, India, and South East Asia. The contributors come from a wide variety of backgrounds and traditions, West and East, and present distinctive, and sometimes conflicting, views on topics as diverse as speaking Shakespeare in Japanese, the importation and exportation of Shakespeare in Asia, and the uses of the English national poet in Indian film and Japanese popular culture. The debates which occur within the book highlight the diversity of production and reception for the world's most popular playwright, whose work is now global cultural capital.…