Isbn: 9780521496377 - hugo wolf and the wagnerian inheritance (6 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. Hardcover. 8vo. Cambridge University Press, Cambridge, UK. 1999. 170 pgs. Bound in red cloth boards with titles present to the spine. Boards have light shelf-wear present to the extremities. No ownership marks present. Text has some underlining present to the text. Binding tight and solid. In spite of growing interest in the songs of Hugo Wolf, there is still a lack of serious critical discussion of the nature of his achievements. This book offers an in-depth study of his music, including detailed analyses of selected songs. Perspectives from musical analysis and history are brought together to show how this composer and late-nineteenth-century song have a far more significant role in helping us to understand Wagner's musical and aesthetic influence than has yet been realized. E-093; 10.0 X 7.1 X 0.6 inches; 170 pages.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0521496373. …

Zustand: New. In English.

Zustand: New. This 1999 book offers an in-depth study of the music of Hugo Wolf. Num Pages: 170 pages, 52 music examples. BIC Classification: AVGC5. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 247 x 174 x 11. Weight in Grams: 465. . 1999. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Wolf has been regarded as a composer who followed the style and aesthetics of Wagnerian music drama without question, while writing in a genre often seen as less challenging than the symphony or opera. This 1999 book re-examines the evidence concerning Wolf's responses to Wagner and Wagnerism and suggests ways in which he voiced his criticism through song, and his one completed opera Der Corregidor. This opens up insights into the kind of impact Wagner had on those following in his wake, and into the complexity and subtlety of the late nineteenth-century Lied. From this perspective, Wolf emerges as a persuasive and articulate figure of wide musical and artistic significance.…