ISBN: 9780521485180 - the films of mike leigh: embracing the world (cambridge film classics) (8 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780521485180.

Zustand: New. In English.

Paperback. Zustand: Brand New. 292 pages. 9.00x6.00x0.75 inches. In Stock.

Zustand: New. Carney examines one of the most important directors of British independent filmmaking. Series: Cambridge Film Classics. Num Pages: 304 pages, 13 b/w illus. BIC Classification: APFB. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 153 x 19. Weight in Grams: 476. . 2000. Illustrated. paperback. . . . . Books ship from the US and Ireland. …

Cambridge Film Classics series. "Critical study of one of the most important and iconoclastic directors of British independent film-making. .Carney examines Leigh's working method and films in the intellectual and social contexts in which they were created. He also argues that Leigh cannot be considered simply within the British realist tradition of Osborne and Loach." Pp.xii/292, stamped "damaged" to copyright page but with no other sign of it. Paperback. G+.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Films of Mike Leigh is the first critical study of one of the most important and eccentric directors of British independent filmmaking. Although active since 1971, Leigh has only come to the attention of an international audience in the 1990s through films such as Secrets and Lies and Career Girls. Like Robert Altman and John Cassevetes, Leigh works improvisationally, beginning with a small group of actors around whom he builds his films during months of private rehearsal. The script is written during this process. Ray Carney examines Leigh's working method and films in the intellectual and social contexts in which they were created. He argues that Leigh cannot be simply considered within the British realist tradition of Osborne and Loach. All of Leigh's major box office successes, including Naked, Life is Sweet and High Hopes, are analyzed, interpreted, and shown to be among the finest examples of cinema.…