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Verlag: Cambridge University Press (edition ), 1996
ISBN 10: 0521485053ISBN 13: 9780521485050
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
Verlag: Cambridge University Press, United Kingdom, Cambridge, 1996
ISBN 10: 0521485053ISBN 13: 9780521485050
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Buch
Paperback. Zustand: Very Good. Bartok's Concerto for Orchestra has proved to be one of the most popularly successful concert works of the twentieth century. It is seen by its champions as an example of Bartok's seamless blend of Eastern European folk music and Western art music, and by its detractors as indicative of the composer's artistic compromise. This book contains a discussion of the historical and musical contexts of the piece, its early performance history and critical reception. It also includes the first complete movement-by-movement synopsis of the Concerto as well as detailed technical information about the work. Throughout the study attention is drawn to the sources of Bartok's musical language, especially those derived from the many folk musics he studied. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Cambridge University Press, 1996
ISBN 10: 0521485053ISBN 13: 9780521485050
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Buch
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:9780521485050.
Verlag: Cambridge University Press, 1996
ISBN 10: 0521485053ISBN 13: 9780521485050
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Bartók's Concerto for Orchestra has proved to be one of the most popularly successful concert works of the twentieth century. It is seen by its champions as an example of Bartók's seamless blend of Eastern European folk music and Western art music, and by its detractors as indicative of the composer's artistic compromise. This book contains a discussion of the historical and musical contexts of the piece, its early performance history and critical reception. It also includes the first complete movement-by-movement synopsis of the Concerto as well as detailed technical information about the work. Throughout the study attention is drawn to the sources of Bartók's musical language, especially those derived from the many folk musics he studied.