ISBN: 9780521471459 - novel arguments: reading innovative american fiction (cambridge studies in american literature & culture) (7 Ergebnisse)

Sprache: Englisch
Verlag: Cambridge University Press (Cambridge Studies in American Literature and Culture) 1st edn, 1995
- Hardcover
- Erstausgabe
- Signiert
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Hardcover. Zustand: Near Fine. Dust Jacket Included. 1st Edition. pp.xiii, 179 pages, a near fine hardback, in a like dustwrapper [0521471451]. Signed (half) by the author 'Richard' on the ffep & includes an inked letter (loose) that is also signed. Signed by Author(s).

- Hardcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521471459.…

- Hardcover
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Zustand: New. In English.

- Hardcover
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Zustand: New. Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world. Series Editor(s): Gelpi, Albert (Stanford University, California); Posnock, Ross. Series: Cambridge Studies in American Literature and Culture. Num Pages: 200 pages, notes, index. BIC Classification: 1KBB; 2ABM; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 45. . 1995. hardcover. . . . . …

- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. Novel Arguments, first published in 1995, argues that innovative fiction extends our ways of thinking about the world. Series Editor(s): Gelpi, Albert (Stanford University, California); Posnock, Ross. Series: Cambridge Studies in American Literature and Culture. Num Pages: 200 pages, notes, index. BIC Classification: 1KBB; 2ABM; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 16. Weight in Grams: 45. . 1995. hardcover. . . . . Books ship from the US and Ireland. …

- Hardcover
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Gebundene Ausgabe. Zustand: Neu. Novel Arguments argues that innovative fiction - by which is meant writing that has been variously labelled as postmodern, metafictional, experimental - extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. Play, self-consciousness and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The 1995 book advances a concept of the 'argument' of fiction as a construct wedding structure and content into a highly evolved and expressive form. The argument, not the content, is established as the site of a fiction's 'aboutness' and thus the usual emphasis upon the generalities of innovative form is replaced by a concern for the logic of specific literary effects. Walsh deftly argues for an understanding of fictional cognition at the theoretical level and in an act of unmatched critical creativity, discards altogether the flattening totalities of received postmodern formulations. Sprache: Englisch Gewicht in Gramm: 400.…

- Hardcover
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Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Novel Arguments argues that innovative fiction - by which is meant writing that has been variously labelled as postmodern, metafictional, experimental - extends our ways of thinking about the world, rejecting the critical consensus that, under the rubrics of postmodernism and metafiction, homogenises this fiction as autonomous and self-absorbed. Play, self-consciousness and immanence - supposed symptoms of innovative fiction's autonomy - are here reconsidered as integral to its means of engagement. The 1995 book advances a concept of the 'argument' of fiction as a construct wedding structure and content into a highly evolved and expressive form. The argument, not the content, is established as the site of a fiction's 'aboutness' and thus the usual emphasis upon the generalities of innovative form is replaced by a concern for the logic of specific literary effects. Walsh deftly argues for an understanding of fictional cognition at the theoretical level and in an act of unmatched critical creativity, discards altogether the flattening totalities of received postmodern formulations.…