Isbn: 9780521446327 - nielsen: symphony no. 5 (cambridge music handbooks) (14 Ergebnisse)

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Used - Very Good. VG paperback. 1st edition. Cambridge Music Handbooks. A clean, tidy copy in firm binding.

Zustand: Used. pp. 138 1:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Perfect Bound on Creme w/Gloss Lam.

Zustand: Used. pp. 138.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780521446327.

Paperback. Zustand: Very Good. Slight wear, slight pencil markings.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. In English.

Zustand: Gebraucht / Used. Fine state. d593e.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - After the death of Mahler in 1911 the great Austro-German symphonic line was carried on mainly in England, America, Scandinavia and Russia. The Fifth Symphony of Carl Nielsen, Denmark's greatest composer, was composed in 1921-2. David Fanning discusses its place within the symphonic tradition since Beethoven, revealing the personal background to the work and taking full account of the extensive Danish commentaries, including the composer's own, which are given in English for the first time. In an absorbing analysis of the music he lays bare the origins of its images of inertia, anxiety and collapse in Nielsen's tone poems and incidental music for the theatre. Insights are offered into the symphony's 'progressive tonality' and its relationship to traditional structural models.…