Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521432022 ISBN 13: 9780521432023
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 24,73
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0521432022.
Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521432022 ISBN 13: 9780521432023
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 73,94
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 117,10
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 188 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521432022 ISBN 13: 9780521432023
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 140,91
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James. Series Editor(s): Gelpi, Albert; Posnock, Ross. Series: Cambridge Studies in American Literature and Culture. Num Pages: 190 pages, black & white illustrations. BIC Classification: 1KBB; 2ABM; DSBF; DSBH; DSK. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 14. Weight in Grams: 457. . 1993. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521432022 ISBN 13: 9780521432023
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Catholic Side of Henry James reveals the profound Catholic imagery in the work of Henry James. Edwin Fussell questions conventional critical assumptions about James' secularity and shows that James' career began with narratives of Catholic conversion and ended with his masterpiece of Catholic eccentricity and alienation, The Golden Bowl. The interplay of men and women, of America and Europe - those acknowledged Jamesian themes - comes to be overlaid with the interplay between Protestant and Catholic. Fussell's examination ranges from James' early reviews of religious books for the Nation and early tales like 'De Grey: A Romance' through much of the canon, along the way re-examining James' overlooked play Guy Domville and climaxing with a magnificent reading of The Golden Bowl, convincingly demonstrating James' involvement with Catholic themes.