Isbn: 9780521378659 - haydn: the creation (cambridge music handbooks) (11 Ergebnisse)

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Very Good. Haydn: The Creation (Cambridge Music Handbooks) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Paperback. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Paperback. Zustand: Very Good. Haydn's Creation is one of the great masterpieces of the classical period. In this absorbing and original account the author places the work within the oratorio tradition, contrasting the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words. A more detailed musical chapter examines the work through the movement types it employs - arias and ensembles, recitative and choruses - distinguishing the Handelian model from Haydn's own classical idiom. Nicholas Temperley also discusses the changing performance traditions of this work, surveys the critical reception throughout its history and quotes from the most signifcant critical literature of the nineteenth and twentieth centuries. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780521378659.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780521378659.…

Zustand: Good. Paperback, 8vo.

Zustand: New. In.

Zustand: New. In this account of one of the masterpieces of the classical period, the author places "The Creation" within the oratorio tradition and contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances. Series Editor(s): Rushton, Julian. Series: Cambridge Music Handbooks. Num Pages: 144 pages, 1 half-tone, 14 music examples, bibliography, index. BIC Classification: AVH. Category: (G) General (US: Trade); (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 216 x 138 x 9. Weight in Grams: 190. . 1991. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Haydn's Creation is one of the great masterpieces of the classical period. This absorbing and original account of the work provides an indispensable guide for the concert-goer, performer and student alike.The author places the work within the oratorio tradition, bearing in mind its intended early audiences in both Austria and England, and he contrasts the theological and literary character of the English libretto with the Viennese milieu of the first performances.The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words, including questions of Haydn's pictorialism. A more detailed musical chapter examines the work through the movement types it employs -- arias and ensembles, recitatives and choruses -- distinguishing the Handelian model from Haydn's own classical idiom.Nicholas Temperley also discusses the changing performance traditions of this work and surveys the critical reception throughout its history. In a useful appendix he quotes from the most significant critical literature of the nineteenth and twentieth centuries.…