Sprache: Englisch
Verlag: Cambridge University Press. 1993., 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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Zustand: Gebraucht / Used. Hardvcover with dustjacket. Very good/Fine. xiii,348pp.
Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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In den Warenkorbhardcover. Zustand: Very Good. Perception and Passion in Dante's Comedy This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
Sprache: Englisch
Verlag: Cambridge University Press -, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
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In den WarenkorbZustand: New. A reading of the Comedy in the context of thirteenth-century psychology and philosophy. Num Pages: 364 pages, black & white illustrations. BIC Classification: 1DST; 2ADT; DSBB; DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 24. Weight in Grams: 546. . 1993. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1993
ISBN 10: 0521370094 ISBN 13: 9780521370097
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Patrick Boyde argues that the way in which Dante represents what he (or his fictional self) saw and felt was profoundly influenced by the thirteenth-century science of psychology. Professor Boyde offers an authoritative account of the way in which vision and the emotions were understood in Dante's lifetime, and rereads many of the most dramatic and moving episodes in the Comedy, throwing light on Dante's narrative technique. Seeing and feeling were known to be inextricably bound up with thinking and voluntary action, and were treated as special cases of motion and motive forces. Dante's treatment of perception and passion is set in the context of Aristotelian epistemology, ethics and physics. In these areas too a knowledge of Dante's philosophical ideas is shown to illuminate his poetic representation of mental processes and value judgements, and the meaning of his journey towards the source of goodness and truth.