Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521353122 ISBN 13: 9780521353120
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 32,94
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0521353122.
Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521353122 ISBN 13: 9780521353120
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 45,74
Anzahl: 1 verfügbar
In den WarenkorbHardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521353122 ISBN 13: 9780521353120
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 115,66
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521353122 ISBN 13: 9780521353120
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 161,86
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. A history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the Teatro de S. Carlos in 1793. Num Pages: 272 pages, 8 half-tones, 3 tables, chronology, notes, bibliography. BIC Classification: 1DSP; 2ADS; AVGC9. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 19. Weight in Grams: 498. . 1989. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521353122 ISBN 13: 9780521353120
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - A detailed documentary history of opera in Portugal from the beginning of the eighteenth century to the inauguration of the still existing Teatro de S. Carlos in 1793. This 1989 study shows how the introduction of opera into the country at the beginning of the century was connected with the recruitment of Italian singers and players during the reign of Joao V, even though the court's interest in opera was small and the activity of public opera houses was hampered by the church and the King himself. This study is valuable not only as a much-needed authoritative and thorough history of the Portuguese musical theatre in the eighteenth century, paralleling existing studies for all other major European operatic centres of the time, but also for the significant contribution it makes to the study of Italian opera with which it interconnects, and of musical theatre in general.