Sprache: Englisch
Verlag: Cambridge University Press, 1979
ISBN 10: 0521295602 ISBN 13: 9780521295604
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 4,77
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0521295602.
Sprache: Englisch
Verlag: Cambridge University Press, 1979
ISBN 10: 0521295602 ISBN 13: 9780521295604
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 47,82
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1979
ISBN 10: 0521295602 ISBN 13: 9780521295604
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Christopher Innes examines the concerns and perceptions of dramatists writing in German between 1945 and 1977 to analyse the theatrical forms they developed or adapted. Num Pages: 312 pages, 22ill. BIC Classification: 1DFG; DSG. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 18. Weight in Grams: 460. . 2010. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1979
ISBN 10: 0521295602 ISBN 13: 9780521295604
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this impressively wide-ranging study of all drama written in German in the period 1945-1977, Christopher Innes' aims are to identify the concerns and perceptions of dramatists working in a specific and unique social context and period and to analyse the major theatrical forms they developed or adapted to express their experience, to trace the writers' literary antecedents, their 'tradition' and to explore the critical issues raised by each stylistic innovation. Professor Innes has organized his discussion around the main forms of theatre - epic, documentary, absurdist and more traditional forms. Redefining these conceptual labels as he progresses, he analyses, in a critical and informed way, the work on the page and the stage of all the major playwrights. This study, which is complemented by photographs of key productions and accompanied by translations for all quotations, will be of particular interest to teachers and students of drama and German, as well as to a wider theatre-going public.