Sprache: Englisch
Verlag: Cambridge University Press, 1972
ISBN 10: 0521291968 ISBN 13: 9780521291965
Anbieter: G. & J. CHESTERS, TAMWORTH, Vereinigtes Königreich
EUR 7,43
Anzahl: 1 verfügbar
In den WarenkorbSoft cover. Zustand: Very Good. 248 pages, 4 pages of plates and 1 figure in the text, erratum slip, paperback, small crease across bottom corner of front cover - otherwise a very good copy [0521291968].
Sprache: Englisch
Verlag: Cambridge University Press, 1977
ISBN 10: 0521291968 ISBN 13: 9780521291965
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 56,47
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1977
ISBN 10: 0521291968 ISBN 13: 9780521291965
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This 1977 text was the first full study of Erwin Piscator, the German theatrical producer. Num Pages: 260 pages, black & white illustrations. BIC Classification: 1D; DSB. Category: (U) Tertiary Education (US: College). Dimension: 143 x 216 x 23. Weight in Grams: 356. . 2010. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1977
ISBN 10: 0521291968 ISBN 13: 9780521291965
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stage from below and 'the treadmill', a flat moving band along which the characters walked. These turned drama into a multi-media event. Professor Innes uses Piscator's career as a focus to describe theatrical developments in the twentieth century and to discuss the role of the author, the director, and the actor in drama, the purpose of the theatre, and the involvement of the audience.