9780521285230 - forging a language: a study of the plays of eugene o'neill: a study of the plays of eugene 'neill von chothia, jean (5 Ergebnisse)
- Softcover
Anbieter: Anybook.com, Lincoln, Vereinigtes KönigreichAnybook.com
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EUR 10,48
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Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:05212852…32.
- Softcover
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks
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EUR 24,89
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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EUR 44,54
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Zustand: New. In.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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EUR 63,76
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Zustand: New. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist Dr Clothia explores O'Neill's erratic career phase by phase. Num Pages: 256 pages, bibliography, index. BIC Classification: 1KBB; DSB. Category: (U) Tertiary Education (US: College). Dimension: 216 x 140 x 15. Weight in Gra…ms: 330. . 1982. Revised ed. paperback. . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 64,83
EUR 61,83 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - What must dramatic language do Jean Chothia suggests it must shape our apprehension of individual character, at the same time conveying more to the audience than to the other characters; it must present us with a continually developing action as each… speech emphasises or modifies our perception of what has gone before; and the action and staging must be so related to the dramatic language that they become its necessary complement in our experience of the play. In this lucid and perceptive 1979 account of O'Neill's linguistic development as a dramatist, Dr Chothia assesses how far he may be said to have fulfilled these obligations, a question on which critical opinion is sharply divided. Dr Chothia explores O'Neill's erratic career phase by phase, his use of literary models, his mastery of a wide range of registers from Swedish to Irish immigrant, as well as the imagery he forged amongst other things.
