ISBN: 9780521283564 - benjamin britten: turn of the screw: the turn of the screw (cambridge opera handbooks) (9 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Good. Paperback, some illustrations in b/w, 8vo. Camebridge Opera Handbooks.; Spine and front cover partially discoloured.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:0521283566.

Paperback. Zustand: Brand New. 176 pages. 8.25x5.50x0.50 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New. This book is designed to introduce the non-specialist music lover to Britten's opera, The Turn of the Screw. Editor(s): Howard, Patricia. Series Editor(s): Wagner, Richard. Series: Cambridge Opera Handbooks. Num Pages: 180 pages, illustrations, music, bibliography, index. BIC Classification: AVG. Category: (G) General (US: Trade). Dimension: 217 x 145 x 14. Weight in Grams: 244. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.…

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book is designed to introduce the non-specialist music lover to Britten's opera, The Turn of the Screw. The opening chapters by Vivien Jones and Patricia Howard deal with the literary source of the opera Oames's novella), the structure of the libretto, and the technique by which a short story was transformed into an opera. The central chapter, on the musical style and structures of the opera, includes an account of the composition process deduced from early sketches of the work by John Evans, an analysis of the unique form of the opera with a more detailed examination of the last scene by Patricia Howard, and an account of the significance and effect of the orchestration by Christopher Palmer. Finally, Patricia Howard traces the stage history of the work, from its initial reception in Venice in 1954, through some seminal reinterpretations in the 1960s to its present established position in the repertoire. The book is generously illustrated and there is also a bibliography and discography.…