Isbn: 9780521280563 - plays by w. s. gilbert: the palace of the truth, sweethearts, princess toto, engaged, rosencrantz and guildenstern (british and american playwrights) (8 Ergebnisse)

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0521280567.…

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 198 pages. 8.98x5.98x0.51 inches. In Stock.

Zustand: New. This edition includes four plays and one libretto, covering more than twenty years of the dramatist's career. Series: British and American Playwrights. Num Pages: 200 pages, illustrations, music, bibliography. Category: (U) Tertiary Education (US: College). Dimension: 228 x 152 x 12. Weight in Grams: 300. . 2009. Reissue. paperback. . . . . Books ship from the US and Ireland. …

Zustand: New. This edition includes four plays and one libretto, covering more than twenty years of the dramatist s career.InhaltsverzeichnisThe Palace of the Truth Sweethearts Princess Toto Engaged Rosencrantz and Guildenstern.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This edition includes four plays and one libretto, covering more than twenty years of the dramatist's career: The Palace of Truth (1870), Sweethearts (1874), Princess Toto (1876), Engaged (1877) and Rosencrantz and Guildenstern (1891). The collection demonstrates that Gilbert was an original dramatist in his own right. The sophisticated irony of his plays challenged the conventions of the Victorian burlesque and sentimental comedy by demanding, and receiving, an intelligent response from the audience. George Rowell's useful and thorough introduction, which presents the theatrical background to Gilbert's development, also shows the dramatist's influence on Pinero, Wilde and Shaw. Gilbert's style combines a technique rarely realistic and stretching to fantasy with a tone apparently cynical and in fact deeply pessimistic. This odd pairing of fantasy and fatalism was recognized by his own and later generations as 'Gilbertian' and the term has been widely applied even outside the theatre.…