Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Cambridge University Press, 1998
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 18,10
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521276559.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 18,19
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521276559.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: medimops, Berlin, Deutschland
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 29,39
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 1980
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: The Isseido Booksellers, ABAJ, ILAB, Tokyo, Japan
Verbandsmitglied: ILAB
Soft cover. Zustand: Good. No Jacket. 8vo. 179pp. Many text-illus. Original wr., slightly rubbed.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 33,37
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. John Barrell's 1980 study shows why the poor interested painters and how painters could represent them for the rich. Num Pages: 192 pages, illustrations. BIC Classification: 1DBKE; 3JF; 3JH; ACV; AFC. Category: (P) Professional & Vocational. Dimension: 246 x 174 x 11. Weight in Grams: 432. . 1983. Revised ed. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 1989
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: Asano Bookshop, Nagoya, AICHI, Japan
PAP. Zustand: Good. Paperback, slightly oldened, color on insides of cover has faded somewhat, slightly blackened in right corner of bottom edge, otherwise in good condition, 24.5x17.5cm, 179pp.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: LiLi - La Liberté des Livres, CANEJAN, Frankreich
Zustand: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.
Sprache: Englisch
Verlag: Cambridge University Press, 1983
ISBN 10: 0521276551 ISBN 13: 9780521276559
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.