Isbn: 9780521276559 - the dark side of the landscape: the rural poor in english painting 1730-1840 (cambridge paperback library) (9 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Previous owners name. A tan to the pages.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521276559. …

Zustand: New. In English.

Soft cover. Zustand: Good. No Jacket. 8vo. 179pp. Many text-illus. Original wr., slightly rubbed.

Zustand: New. John Barrell's 1980 study shows why the poor interested painters and how painters could represent them for the rich. Num Pages: 192 pages, illustrations. BIC Classification: 1DBKE; 3JF; 3JH; ACV; AFC. Category: (P) Professional & Vocational. Dimension: 246 x 174 x 11. Weight in Grams: 432. . 1983. Revised ed. paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The eighteenth-century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in England; and this inevitably involved a distinct approach to the depiction of the rural poor. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the literature of rural life and with the work of other painters. His terse and vigourous account has provided a landmark for social historians and literary critics, as well as historians of art.…

PAP. Zustand: Good. Paperback, slightly oldened, color on insides of cover has faded somewhat, slightly blackened in right corner of bottom edge, otherwise in good condition, 24.5x17.5cm, 179pp.

Zustand: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.