Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521159008 ISBN 13: 9780521159005
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Very Good.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521159008 ISBN 13: 9780521159005
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Erstausgabe
EUR 23,23
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Like New. First Edition. In nearly new condition: firm and square with strong joints, no creases. Just a few hardly noticeable cosmetic rubs. Hence a non-text page shows a small 'damaged' stamp. Despite such this book looks and feels unread. Thus the contents are crisp, fresh and tight. And so a very nice book in great condition, now offered for sale at a reasonable price.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521159008 ISBN 13: 9780521159005
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,67
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521159008 ISBN 13: 9780521159005
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. The essays in this 1987 volume examine the ideas of contrarity and other kinds of polar opposition in French literature of the eighteenth century. Num Pages: 268 pages, black & white illustrations. BIC Classification: 2ADF; DNF; DSB. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 15. Weight in Grams: 400. . 1987. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2011
ISBN 10: 0521159008 ISBN 13: 9780521159005
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The essays in this 1987 volume are concerned with ideas of contrarity and other kinds of polar opposition in French literature of the eighteenth century. Originally these ideas were merely part of an impulse to undermine the establishment, but as the century progressed the desire to invert social values and question accepted norms merged with the main groundswell of the age to form part of the movement of Revolution. Professor Rex considers some of the major writers of the period: Diderot, Rousseau, Voltaire, and Beaumarchais. He also explores minor genres such as opéras comiques, theatrical parodies, and erotic or pornographic pieces; these have been largely forgotten, but in their time they imbued the creative life of the era with vitality. In treating the literature in relation to the other arts, especially painting and music, these essays will be of interest to scholars of all aspects of eighteenth-century French culture.