Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521155029 ISBN 13: 9780521155021
Anbieter: Hay-on-Wye Booksellers, Hay-on-Wye, HEREF, Vereinigtes Königreich
EUR 17,84
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In den WarenkorbZustand: Good. Crease at spine. Scratches/faint tanning to cover. Content very good.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521155029 ISBN 13: 9780521155021
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,29
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521155029 ISBN 13: 9780521155021
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. An investigation into responsibility and accountability in account episodes, and into the circumstances under which these episodes are successful or unsuccessful. Series: European Monographs in Social Psychology. Num Pages: 236 pages, black & white illustrations. BIC Classification: CFB; JFF; JMH. Category: (P) Professional & Vocational. Dimension: 228 x 155 x 16. Weight in Grams: 396. . 2006. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521155029 ISBN 13: 9780521155021
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Responsibility and accountability are the issues at the heart of this book. An account episode, according to Professor Schönbach's conception, is a four-phase interaction between an actor and an opponent. Account episodes occur in many different social settings; they are societal means for the resolution or diminution of conflicts engendered by failure events. Frequently, however, such episodes do not accomplish this goal but promote an escalation of the original conflict. The basic questions addressed in this book are under what circumstances an account episode is likely to be successful, and under which other conditions it is likely to founder. Ten studies of interchanges between actor and opponent, based on Schönbach's escalation theory, reveal fascinating interactions between actor and opponent, between severity of reproach, defensiveness of accounts, needs for control of the participants and their gender in determining the course of account episodes.