Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521154898 ISBN 13: 9780521154895
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 11,38
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In den WarenkorbPaperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521154898 ISBN 13: 9780521154895
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 9,94
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521154898 ISBN 13: 9780521154895
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 55,80
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521154898 ISBN 13: 9780521154895
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This 1985 book examines the stage works of Inigo Jones and John Webb. Num Pages: 234 pages, black & white illustrations. BIC Classification: AMGC; AN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 174 x 245 x 18. Weight in Grams: 416. . 2006. Reissue. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521154898 ISBN 13: 9780521154895
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The English stage of Shakespeare's day was a place superbly fitted for the rhetorical drama of the times; by the Restoration it had been replaced by a kind of playhouse better suited to the 'Scenes and Machines' which dealt in spectacles. The seventeenth century was therefore a crucial one in the history of the stage, yet concrete evidence of the playhouses constructed during this time has been scarce and elusive. The best of it lies in the drawing which Inigo Jones, Surveyor of the King's Works, and his pupil, John Webb, made for a succession of playhouses and Court theatres. Jones was responsible for the visual aspects of the masques performed at the various royal palaces, and both he and Webb designed a number of regular theatres at Court. In this 1985 book, the author establishes Jones and Webb as the most effective London theatre builders and scene designers of the seventeenth century.