Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521144655 ISBN 13: 9780521144650
Anbieter: Prior Books Ltd, Cheltenham, Vereinigtes Königreich
Erstausgabe
EUR 8,92
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Like New. First Edition. Firm, square and tight, just showing a few mild rubs. Hence a non-text page is stamped 'damaged'. Despite such this book is in nearly new condition. Thus it looks and feels unread with crisp, fresh contents. Now offered for sale at a special bargain price.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521144655 ISBN 13: 9780521144650
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,57
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521144655 ISBN 13: 9780521144650
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This 1971 text was the first critical edition of La fianza satisfecha, a play of disputed authorship dating from the Golden Age of Spanish literature. Num Pages: 224 pages, black & white illustrations. BIC Classification: 2ADS; DD; DSBD; DSG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 13. Weight in Grams: 290. . 2010. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2010
ISBN 10: 0521144655 ISBN 13: 9780521144650
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Originally published in 1971, this was the first critical edition of La fianza satisfecha, a play of disputed authorship dating from the Golden Age of Spanish literature. The editors of this edition believe it was written in 1614 by Lope de Vega. Their reasons, which rely on similarities with Lope's other plays and on relationships between Lope and Tirso de Molina, are presented in the introduction, which also discusses the fourteen texts used to establish this text, the literary parallels, two scrutinies of this play by the Inquisition, and contemporary criticism and interpretation. The hero of la fianza satisfecha, Leonido, is represented as a perverse monster carrying out every possible atrocity against family, society and religion who, in the last act, finally embraces Christianity and repents his sins.