Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 052111781X ISBN 13: 9780521117814
Paperback. Very good. 187 pp.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2009
ISBN 10: 052111781X ISBN 13: 9780521117814
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
EUR 30,99
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. Softback in very good condition. Light shelfwear only, pages tightly bound, content 'as unread'. CN.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 052111781X ISBN 13: 9780521117814
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 56,91
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 74,69
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 187 pages. 8.75x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 052111781X ISBN 13: 9780521117814
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. An examination of Ovid's Heroides which portrays its fictional female writers as a community of authors. Num Pages: 200 pages, black & white illustrations. BIC Classification: 2ADL; DSBB; DSC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 12. Weight in Grams: 300. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 052111781X ISBN 13: 9780521117814
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.