9780521117357 - memory and forgetting in english renaissance drama: shakespeare, marlowe, webster (cambridge studies in renaissance literature and culture) von sullivan, garrett (5 Ergebnisse)
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paperback. Zustand: Very Good. Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, Webster: 50 (Cambridge Studies in Renaissance Literature and Culture, Series Number 50) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but th…e pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.
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Zustand: New. A study of the concepts of memory and forgetting in early modern drama. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 196 pages, 1 b/w illus. BIC Classification: 2AB; DSBD; DSG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 11. Weight in Grams: 300. . 2009. Re…issue. paperback. . . . . Books ship from the US and Ireland.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time.… Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.
