9780521114585 - Mallarme, Manet and Redon: Visual and Aural Signs and the Generation of Meaning (Cambridge Studies in French, 11, Band 11) von Florence, Penny (5 Ergebnisse)

paperback. Zustand: Good. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges. Book shows shelf & handling wear, including cover scuffing. Pages are worn on their edges, but remain intact with unmarked text & pictures. A good reading copy.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780521114585.

Zustand: New. In.

Zustand: New. This study, first published in 1986, examines the many facets of Mallarmes relationship to the visual arts. Series: Cambridge Studies in French. Num Pages: 188 pages, black & white illustrations. BIC Classification: 1DDF; 2ADF; DSBF; DSC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 244 x 170 x 10. Weight in Grams: 310. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This study, first published in 1986, is an examination of the many facets of Mallarmés relationship to the visual arts. Dr Florence proceeds by analysing Mallarmés writing on painting and literature, and its bearing on specific paintings, lithographs, and poems. These analyses reveal and define important common structures and innovatory developments, the coherence of which is masked by conventional histories of art. A new relationship is revealed between the word and the image, which has significant implications for an understanding of the self and the world in these texts. The book is particularly original in two respects: first, it shows how developments in verbal and visual innovation are interdependent in Mallarmés work; second, it integrates hitherto discrete traditions of the avant-garde in painting to present a new perspective on the history of modernism.