Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 0521100097 ISBN 13: 9780521100090
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 43,91
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In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 0521100097 ISBN 13: 9780521100090
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 54,22
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 0521100097 ISBN 13: 9780521100090
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Challenging conventional readings of literary allegorism, this book, first published in 2000, reassesses Renaissance relations between allegory and heroic poetry. Num Pages: 336 pages, 6 b/w illus. BIC Classification: 2AB; DSBD; DSC. Category: (P) Professional & Vocational. Dimension: 229 x 155 x 21. Weight in Grams: 504. . 2009. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2009
ISBN 10: 0521100097 ISBN 13: 9780521100090
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Challenging conventional notions that literary allegorism declined precipitously around 1600, Kenneth Borris reassesses the Renaissance relations between allegory and heroic poetry, particularly in the major texts of Sidney, Spenser and Milton. Through wide-ranging consideration of Homeric and Virgilian reception and its influence on both continental and English literary theory, he shows that allegorical epic tended to double for and displace epic throughout the sixteenth and seventeenth centuries. Borris offers a fresh approach to the interaction of allegory with literary genres; focusing on epic, he further analyses the distinctive codes and conventions that constituted the generic repertoire of Renaissance allegorical epic poetry. Whereas standard literary history assumes Sidney opposes allegory, and that Milton minimises or rejects it in following Spenser, Borris's detailed readings demonstrate that Sidney and Milton are also major allegorists, and that Spenser remained so even in the latter books of The Faerie Queene. This book was first published in 2000.