ISBN: 9780521099714 - neo-classical dramatic criticism (6 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:9780521099714.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,300grams, ISBN:0521099714. …

Zustand: New. In English.

Zustand: New. An interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 1560-1770. Num Pages: 196 pages, black & white illustrations. BIC Classification: DSB. Category: (U) Tertiary Education (US: College). Dimension: 203 x 127 x 11. Weight in Grams: 220. . 1976. Paperback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 1560-1770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism.…