Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521030838 ISBN 13: 9780521030830
Anbieter: Magers and Quinn Booksellers, Minneapolis, MN, USA
paperback. Zustand: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.
Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521030838 ISBN 13: 9780521030830
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,28
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521030838 ISBN 13: 9780521030830
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A study of the literary representation of Ireland in English Renaissance writing. Series: Cambridge Studies in Renaissance Literature & Culture. Num Pages: 264 pages, 6 b/w illus. BIC Classification: 2AB; DSBD. Category: (P) Professional & Vocational. Dimension: 228 x 164 x 16. Weight in Grams: 402. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2007
ISBN 10: 0521030838 ISBN 13: 9780521030830
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.