9780521028431 - gendering musical modernism: the music of ruth crawford, marion bauer, and miriam gideon (cambridge studies in music theory and analysis, 15, band 15) von hisama, ellie (3 Ergebnisse)
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 65,94
EUR 13,97 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 87,31
EUR 9,06 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. This book explores the work of three significant American women composers of the twentieth century. Series Editor(s): Bent, Ian. Series: Cambridge Studies in Music Theory & Analysis. Num Pages: 220 pages, 10 b/w illus. 9 tables 25 music examples. BIC Classification: 1KBB; AVGC6; AVH. Category: (P) Professional & Vo…cational. Dimension: 247 x 174 x 12. Weight in Grams: 360. . 2010. Illustrated. paperback. . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 87,42
EUR 61,95 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers a unique approach to a rich body of music that deserves theoretical scrutiny and provides inf…ormation on both the lives and music of these fascinating women, skilfully interweaving history and musical analysis in ways that both the specialist and the more general reader will find compelling. In this important study, Ellie Hisama has employed forms of analysis by which she links musical characteristics with aspects of the composers' identities. This is revealing both for questions of music and gender and the continuing search for meaning in music. The book thus draws attention to the value of the music of these three composers and contributes to the body of analytical work concerned with the explanation of musical language.
