ISBN: 9780521027939 - german opera: from the beginnings to wagner (cambridge studies in opera) (12 Ergebnisse)

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: New.

Paperback. Zustand: New. German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven, together with the persistent attempts at German Grand Opera. Seventeenth-century Hamburg opera, the role of the travelling companies and Viennese Singspiel are all explored. Discussions that from early days absorbed Germans concerned for the development of a national art are followed, together with the influence of new critical thought at the start of the nineteenth century. The many operas studied are placed in their historical, social and theatrical context, and attention is paid to the literary, artistic and philosophical ideas that made them part of the country's intellectual history. Warrack assesses the contributions of Schubert, Mendelssohn and Schumann, as well as Weber and Hoffmann, among others. …

Zustand: New. This wide-ranging history explores German opera from its primitive origins up to Wagner. Series Editor(s): Groos, Arthur; Carter, Tim; Deathridge, John; Hepokoski, James A.; Robinson, Paul; Rosand, Ellen. Series: Cambridge Studies in Opera. Num Pages: 464 pages, 42 music examples. BIC Classification: 1DFG; AVGC9. Category: (P) Professional & Vocational. Dimension: 231 x 154 x 35. Weight in Grams: 706. . 2008. 1st Edition. paperback. . . . .…

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. This wide-ranging history explores German opera from its primitive origins up to Wagner. Series Editor(s): Groos, Arthur; Carter, Tim; Deathridge, John; Hepokoski, James A.; Robinson, Paul; Rosand, Ellen. Series: Cambridge Studies in Opera. Num Pages: 464 pages, 42 music examples. BIC Classification: 1DFG; AVGC9. Category: (P) Professional & Vocational. Dimension: 231 x 154 x 35. Weight in Grams: 706. . 2008. 1st Edition. paperback. . . . . Books ship from the US and Ireland.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven, together with the persistent attempts at German Grand Opera. Seventeenth-century Hamburg opera, the role of the travelling companies and Viennese Singspiel are all explored. Discussions that from early days absorbed Germans concerned for the development of a national art are followed, together with the influence of new critical thought at the start of the nineteenth century. The many operas studied are placed in their historical, social and theatrical context, and attention is paid to the literary, artistic and philosophical ideas that made them part of the country's intellectual history. Warrack assesses the contributions of Schubert, Mendelssohn and Schumann, as well as Weber and Hoffmann, among others.…

Paperback. Zustand: New. German opera from its primitive origins up to Wagner is the subject of this wide-ranging history. It traces the growth of the humble Singspiel into a vehicle for the genius of Mozart and Beethoven, together with the persistent attempts at German Grand Opera. Seventeenth-century Hamburg opera, the role of the travelling companies and Viennese Singspiel are all explored. Discussions that from early days absorbed Germans concerned for the development of a national art are followed, together with the influence of new critical thought at the start of the nineteenth century. The many operas studied are placed in their historical, social and theatrical context, and attention is paid to the literary, artistic and philosophical ideas that made them part of the country's intellectual history. Warrack assesses the contributions of Schubert, Mendelssohn and Schumann, as well as Weber and Hoffmann, among others. …

Zustand: gut. 2008. German Opera: From the Beginnings to Wagner (Cambridge Studies in Opera) In englischer Sprache. pages.