Sprache: Englisch
Verlag: University of California Press March 2019, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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Trade Paperback. Zustand: Good - Cash. General reader wear to the corners, edges, and cover. The covers/corners have some creasing. The pages show some general reader wear as well. The book is in good condition with some normal reader wear. Some light water rippling to the page edges Stock photos may not look exactly like the book.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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Zustand: New. 2019. First. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 325 pages. 9.75x7.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
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Zustand: New. Über den AutorArden Reed (1947-2017) was Arthur and Fanny Dole Professor of English at Pomona College. He wrote on the visual arts and literature, and his publications include Manet, Flaubert, and the Emergence of Modernis.
Sprache: Englisch
Verlag: University Of California Press Mär 2019, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'The 'slow' artwork that arrests and doggedly holds our attention is the subject of Arden Reed's original and rigorous study. Arguing that slow art triggers the contemplative experience once solicited by sacred images and texts, Reed traces the reemergence of the aesthetic of stillness in response to modernity's escalating pace and animation, and the contemporary revival of this aesthetic in an era of instantaneous digital communication. His account moves across media and registers of high and low, from the historical tableau vivant and its contemporary iterations (such as Laguna Beach's Pageant of the Masters) to the 'black' paintings of Ad Reinhardt, the Torque sculptures of Richard Serra, the photographs of Hiroshi Sugimoto, and the immersive installations of James Turrell. Reed has theorized an aesthetic category all his own.'--James Meyer, author of Minimalism: Art and Polemics in the Sixties.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Slow Art | The Experience of Looking, Sacred Images to James Turrell | Arden Reed | Taschenbuch | Kartoniert / Broschiert | Englisch | 2019 | University of California Press | EAN 9780520300583 | Verantwortliche Person für die EU: De Gruyter, Genthiner Str. 13, 10785 Berlin, orders-books[at]degruyter[dot]com | Anbieter: preigu.
Sprache: Englisch
Verlag: University of California Press, 2019
ISBN 10: 0520300580 ISBN 13: 9780520300583
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Gut. Zustand: Gut | Seiten: 352 | Sprache: Englisch | Produktart: Bücher | Americans, on average, spend between six and ten seconds with individual artworks in museums or galleries--hardly time enough. But how, in our culture of distraction, might we extend attention? Slow Art models sustained ways of looking, through encounters with various media both present and past--including photography, painting, sculpture, "living pictures," film, video, digital and performance art--even light and space. Works by Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, and Richard Serra, among others, shape a new and distinct aesthetic field. But rather than a collection of objects, slow art is participatory--it directly engages beholders to bring artworks to life. Against current orthodoxy, Arden Reed argues that, for contemporary viewers, the contemplation of slow art is akin to religious practices during the ages of faith.