ISBN: 9780520285699 - postdate: photography and inherited history in india (18 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Features contemporary artists who mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Num Pages: 160 pages, 107 color. BIC Classification: 1FKA; AGC; AJ. Category: (G) General (US: Trade). Dimension: 303 x 249 x 19. Weight in Grams: 1268. . 2015. Hardcover. . . . .…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Hardback. Zustand: New. Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary artists mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Taking history into their own hands, figures such as Nandan Ghiya, Gauri Gill, Jitish Kallat, Annu Palakunnathu Matthew, Madhuban Mitra and Manas Bhattacharya, Pushpamala N., Raqs Media Collective, Vivan Sundaram, and Surekha draw on a diverse range of sources, from ethnographic photographs made at the height of the British occupation to hand-painted studio portraits and stills from Bollywood movies. Weighing the influence of the global against the draw of the local, these artists embrace tradition and innovation as covalent rather than competitive forces. Marking the US debut of several of the featured artists, Postdate: Photography and Inherited History in India deepens our understanding of the legacy of colonialism and celebrates new and socially engaged modes of image-making in South Asia. It is published in association with the San Jose Museum of Art. …

Zustand: New. Features contemporary artists who mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Num Pages: 160 pages, 107 color. BIC Classification: 1FKA; AGC; AJ. Category: (G) General (US: Trade). Dimension: 303 x 249 x 19. Weight in Grams: 1268. . 2015. Hardcover. . . . . Books ship from the US and Ireland.…

Zustand: New. 160.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Hardback. Zustand: New. Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary artists mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Taking history into their own hands, figures such as Nandan Ghiya, Gauri Gill, Jitish Kallat, Annu Palakunnathu Matthew, Madhuban Mitra and Manas Bhattacharya, Pushpamala N., Raqs Media Collective, Vivan Sundaram, and Surekha draw on a diverse range of sources, from ethnographic photographs made at the height of the British occupation to hand-painted studio portraits and stills from Bollywood movies. Weighing the influence of the global against the draw of the local, these artists embrace tradition and innovation as covalent rather than competitive forces. Marking the US debut of several of the featured artists, Postdate: Photography and Inherited History in India deepens our understanding of the legacy of colonialism and celebrates new and socially engaged modes of image-making in South Asia. It is published in association with the San Jose Museum of Art. …

Zustand: New. In English.

Hardcover. Zustand: Brand New. 160 pages. 12.00x10.00x1.00 inches. In Stock.

Zustand: New. Features contemporary artists who mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition.

Buch. Zustand: Neu. Neuware - Features contemporary artists who mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition.

Hardback. Zustand: New. Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary artists mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Taking history into their own hands, figures such as Nandan Ghiya, Gauri Gill, Jitish Kallat, Annu Palakunnathu Matthew, Madhuban Mitra and Manas Bhattacharya, Pushpamala N., Raqs Media Collective, Vivan Sundaram, and Surekha draw on a diverse range of sources, from ethnographic photographs made at the height of the British occupation to hand-painted studio portraits and stills from Bollywood movies. Weighing the influence of the global against the draw of the local, these artists embrace tradition and innovation as covalent rather than competitive forces. Marking the US debut of several of the featured artists, Postdate: Photography and Inherited History in India deepens our understanding of the legacy of colonialism and celebrates new and socially engaged modes of image-making in South Asia. It is published in association with the San Jose Museum of Art. …

Hardback. Zustand: New. Two generations after the exultation of Independence and the concurrent horrors of Partition, contemporary artists mine the uneasy history of photography in India as a means to challenge outmoded narratives, share hidden stories, and make personal connections with tradition. Taking history into their own hands, figures such as Nandan Ghiya, Gauri Gill, Jitish Kallat, Annu Palakunnathu Matthew, Madhuban Mitra and Manas Bhattacharya, Pushpamala N., Raqs Media Collective, Vivan Sundaram, and Surekha draw on a diverse range of sources, from ethnographic photographs made at the height of the British occupation to hand-painted studio portraits and stills from Bollywood movies. Weighing the influence of the global against the draw of the local, these artists embrace tradition and innovation as covalent rather than competitive forces. Marking the US debut of several of the featured artists, Postdate: Photography and Inherited History in India deepens our understanding of the legacy of colonialism and celebrates new and socially engaged modes of image-making in South Asia. It is published in association with the San Jose Museum of Art. …