Isbn: 9780520265660 - trauma and documentary photography of the fsa: volume 5 (defining moments in american photography, 5, band 5) (9 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 121.

Zustand: New. Proposes that we reconsider the work of the Farm Security Administration and its most beloved photographers in light of various forms of trauma in the 1930s. This title offers ways to understand this body of work by exploring a more variable idea of documentary photography than what the New Dealers proposed. Series: Defining Moments in American Photography. Num Pages: 121 pages, 28 duotones. BIC Classification: 1KBB; AJCR. Category: (P) Professional & Vocational. Dimension: 153 x 204 x 8. Weight in Grams: 218. . 2012. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 121 pages. 8.25x6.00x0.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - This book looks at the documentary photography commissioned by the Farm Security Administration (FSA) in the 1930s - works by Walker Evans, Ben Shahn, and Aaron Siskind, among others. Essays by the literary scholar Sara Blair and the art historian Eric Rosenberg delve deeply into the conceptions of trauma generally associated with the Great Depression. While the FSA photographers are often understood as socially conscious artists who intended to publicize the traumas suffered by average Americans during the Depression, the co-authors address how trauma and photography fit together and how, in the midst of that uneasy alliance, competing ideas of the documentary form took shape.…

Zustand: New. Proposes that we reconsider the work of the Farm Security Administration and its most beloved photographers in light of various forms of trauma in the 1930s. This title offers ways to understand this body of work by exploring a more variable idea of documen.