Isbn: 9780520254824 - brecht at the opera: volume 9 (california studies in 20th-century music, band 9) (9 Ergebnisse)

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780520254824.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. Argues that Brecht's simultaneous work on opera and Lehrstuck in the 1920s generated the concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis. Series: California Studies in 20th-Century Music. Num Pages: 304 pages, 2 tables, 18 music examples. BIC Classification: AVGC9. Category: (U) Tertiary Education (US: College). Dimension: 229 x 152 x 22. Weight in Grams: 472. . 2008. First Edition. Hardcover. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Brand New. 1st edition. 304 pages. 9.25x6.25x1.25 inches. In Stock.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. BERKELEY: University of California Press, 2008. First edition. First printing. Hardbound. New/New. Purchased new and never opened. FERRY. UNIVERSITY PRESS.

Gebunden. Zustand: New. &Uumlber den AutorJoy H. Calico is Associate Professor of Musicology in the Blair School of Music at Vanderbilt University.Klappentextrnrn Brecht at the Opera looks at the German playwright s lifelong ambivalent eng.

Buch. Zustand: Neu. Neuware - From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings. Brecht at the Opera looks at the German playwright's lifelong ambivalent engagement with opera. An ardent opera lover in his youth, Brecht later denounced the genre as decadent and irrelevant to modern society even as he continued to work on opera projects throughout his career. He completed three operas and attempted two dozen more with composers such as Kurt Weill, Paul Hindemith, Hanns Eisler, and Paul Dessau. Joy H. Calico argues that Brecht's simultaneous work on opera and Lehrstück in the 1920s generated the new concept of audience experience that would come to define epic theater, and that his revisions to the theory of Gestus in the mid-1930s are reminiscent of nineteenth-century opera performance practices of mimesis.…