Sprache: Englisch
Verlag: University of California Press, 2008
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: Books From California, Simi Valley, CA, USA
Paperback. Zustand: Fine.
Sprache: Englisch
Verlag: University of California Press, 2007
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 28,32
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of California Press, 2008
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of California Press, 2007
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 21,44
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In den WarenkorbZustand: Good. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN:9780520253322.
Sprache: Englisch
Verlag: University of California Press, 2008
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 32,74
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In den WarenkorbZustand: New. pp. 110.
Sprache: Englisch
Verlag: University of California Press, 2008
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? This book examines lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. It charts the history of lynching photographs - their meanings, uses, and controversial display. Series: Defining Moments in American Photography. Num Pages: 110 pages, 22 duotones. BIC Classification: 1KBB; 3JH; 3JJ; AJCP; AJCR; HBTB; JKVP. Category: (P) Professional & Vocational. Dimension: 154 x 205 x 5. Weight in Grams: 162. . 2008. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of California Press, 2008
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 30,61
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 46,41
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 102 pages. 8.25x6.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: University of California Press, 2007
ISBN 10: 0520253329 ISBN 13: 9780520253322
Anbieter: moluna, Greven, Deutschland
EUR 38,27
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Why do we look at lynching photographs? What is the basis for our curiosity, rage, indignation, or revulsion? This book examines lynching photographs as a way of analyzing photography s historical role in promoting and resisting racial violence. It charts .
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Why do we look at lynching photographs What is the basis for our curiosity, rage, indignation, or revulsion Beginning in the late nineteenth century, nearly five thousand blacks were put to death at the hands of lynch mobs throughout America. In many communities it was a public event, to be witnessed, recorded, and made available by means of photographs. In this book, the art historian Dora Apel and the American Studies scholar Shawn Michelle Smith examine lynching photographs as a way of analyzing photography's historical role in promoting and resisting racial violence. They further suggest how these photographs continue to affect the politics of spectatorship. In clear prose, and with carefully chosen images, the authors chart the history of lynching photographs--their meanings, uses, and controversial display--and offer terms in which to understand our responsibilities as viewers and citizens.