Sprache: Englisch
Verlag: University of California Press, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of California Press, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: Sell Books, Elland, YORKS, Vereinigtes Königreich
EUR 43,20
Anzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
Sprache: Englisch
Verlag: University of California Press, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 81,48
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: University of California Press, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 110,51
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 240 Illus.
Sprache: Englisch
Verlag: University of California Press, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: moluna, Greven, Deutschland
EUR 91,21
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New. Examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians.Inhaltsverzeichnis.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 132,23
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 240 pages. 9.00x6.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University Of California Press Feb 2004, 2004
ISBN 10: 0520238451 ISBN 13: 9780520238459
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Just as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to 'what goes without saying' on the subject--that cultural information so present and pervasive as to go unsaid--fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people--English and others--experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. They evoke common themes--including the moral force that was attached to music in the public mind and the strongly gendered nature of musical practice and sensibility--and in turn suggest the complex links between the history of music and the history of ideas.