ISBN: 9780520223028 - revealing masks: exotic influences and ritualized performance in modernist music theater (california studies in 20th-century music, 1, band 1) (15 Ergebnisse)

Hardcover. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Pages unmarked. Dust jacket glossy. Binding square & firm. Book.

Zustand: Good. 1 Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: fine. First edition. Fine, fresh copy in fine, crisp dust jacket. First printing. Hardcover. xv+350 pp. with bibliography, index. Illustrations. A consideration of a wide-ranging constellation of important musical works of ritualized performance in 20th century music. The author is especially interested in the use of the "exotic" in techniques of masking and stylization , identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of modern "total theater". The work draws on an extraordinarily diverse---and in some instances little known---range fo music and theater pieces, citing the works of Stravinsky, Britten, Hogegger, Davies, Bernstein, Lloyd Weber, and Madonna; also cited are artists in literature, dance, and theater such as Yeats, Claudel, Brecht, Isadora Duncan, Ida Rubinstein, and Edward Gordon Craig.…

Hardback. Zustand: New. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. "Revealing Masks" uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the 'exotic' in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of 'total theater.' Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship.For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? "Revealing Masks" shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.…

Rilegato in Tela. Zustand: fine. English Text.Berkeley, 2001; clothbound, pp. 352, b/w ill. Libro.

Zustand: New.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 1st edition. 350 pages. 9.25x6.25x1.25 inches. In Stock.

Hardback. Zustand: New. W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. "Revealing Masks" uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the 'exotic' in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of 'total theater.' Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig - also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship.For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? "Revealing Masks" shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.…

Zustand: New. Explores ritualized performance in twentieth-century music. This book uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater.&Uumlber den AutorW. Anthony Sheppard is As.

Buch. Zustand: Neu. Neuware - W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the 'exotic' in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of 'total theater.'Drawing on an extraordinarily diverse--and in some instances, little-known--range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance--such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study.Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. First Edition. 350 pages in excellent condition. Illustrated. Small black mark on the top edge. Black hardcovers with gilt titles on the spine. Corners not bumped. Illustrated DJ with black/white titles. No wear. NEAR FINE/FINE. Book.